Search results for "archéologie du son"

showing 2 items of 2 documents

Handcrafting in archaeomusicological research

2016

There were no conference proceedings but you may find video recordings of some of the talks by following the link above; International audience; Archaeological flutes, as sound artefacts, both stand in material and immaterial culture. They are made of tremendous subtleties that archaeologists have a hard time to understand while these are craftsmen's everyday life. These subtleties are the link between material (rough material, tools, gestures) and immaterial (sounds, music, timber, uses) issues. They are the reason why archaeology cannot study ancient sound instruments on its own. A one-year insight experience of apprenticeship alongside a traditional-flute-maker (Jean-Daniel Talma, ElBock…

[SHS.ARCHEO] Humanities and Social Sciences/Archaeology and Prehistory[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts[SHS.ARCHEO]Humanities and Social Sciences/Archaeology and PrehistoryEpistemological approach[ SHS.MUSIQ ] Humanities and Social Sciences/Musicology and performing artsFlûtesFlutelike instrumentarchéomusicologie[ SHS.HISPHILSO ] Humanities and Social Sciences/History Philosophy and Sociology of Sciences[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts[SHS.HISPHILSO]Humanities and Social Sciences/History Philosophy and Sociology of SciencesArtisanat de l'osapproche épistémologiquearchéologie du son[SHS.HISPHILSO] Humanities and Social Sciences/History Philosophy and Sociology of Sciences[ SHS.ARCHEO ] Humanities and Social Sciences/Archaeology and PrehistoryHandcraftingArchaeomusicologySound archaeologyBone industry
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L’effet des pots acoustiques du caveau phonocamptique de la cathédrale de Noyon : analyse modale et performance chantée

2016

International audience; Au CFA de 2014 nous présentions le caveau phonocamptique de la Cathédrale de Noyon qui comporte, dans un espace souterrain réduit (15 m²), un nombre important de pots acoustiques (64). L’étude des livres liturgiques et de la documentation de la cathédrale (XVe-XVIIe siècles) ne permet pas à ce jour d’identifier le rôle et l’usage de ce caveau. Pourtant, les études archéologiques et acoustiques que nous avions présentées en 2014 montraient le soin qu’avaient pris les bâtisseurs pour élaborer cet espace : deux modèles de pots de hauteurs différentes, correspondant à deux fréquences moyennes proches d’une quarte musicale, une répartition choisie dans l’espace et un trav…

pots acoustiques[SHS.ARCHI]Humanities and Social Sciences/Architecture space management[SHS.ARCHEO] Humanities and Social Sciences/Archaeology and Prehistory[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts[ SHS.HIST ] Humanities and Social Sciences/History[SHS.ARCHEO]Humanities and Social Sciences/Archaeology and Prehistory[ SHS.MUSIQ ] Humanities and Social Sciences/Musicology and performing arts[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts[ SHS.ARCHI ] Humanities and Social Sciences/Architecture space managementarchéologie du son[ SHS.ARCHEO ] Humanities and Social Sciences/Archaeology and Prehistory[SHS.HIST] Humanities and Social Sciences/Historyéglises[SHS.ARCHI] Humanities and Social Sciences/Architecture space management[SHS.HIST]Humanities and Social Sciences/History
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